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Noted by Damian Cugley .
A new arrival at Future Fonts: Synch, an exhuberently psychedelic typeface called Sync by James Plattner
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Superscript is an energetic, compressed, high-contrast script type family designed by Neil Summerour for Positype.
(Via https://www.instagram.com/p/CzZEExIxJCp/)
Noted by Damian Cugley . -
AG57 is a digitization of H. Bertholds’s 1898 typeface Akzidenz-Grotesk made freely available as a cultural artefact. More in the linked article (in German, which alas! I cannot read).
(Via Ich-AG, typografisch – H. Bertholds 'Akzidenz-Grotesk' für Ihren Computer - SBB aktuell via @espiekermann on Twitter)
Noted by Damian Cugley . -
MD Polychrome is a retro-futuristic type family inspired by the 1960s typefaces inspired by Magnetic Ink Character Recognition (MICR) symbols.
(Via @mass_driver_tm on Twitter)
Noted by Damian Cugley . -
Noted by Damian Cugley .
Design information about Epicene Display and Epicene Text, Baroque typeface families by Kris Sowersby—including notes on camp and supposedly masculine versus feminine typeface design
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James Edmondson’s exuberant typeface Ohno Blazeface reviewed by Mark Simonson
(Via Typographica on Twitter)
Noted by Damian Cugley . -
Noted by Damian Cugley .
December 2017’s issue of the Font of the Month club is a stylish uncial-inspired typeface called Klooster.
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Noted by Damian Cugley .
Elfreth is a “casual blackletter” that makes me wish I were art designing for a metal band so I could use it for all their posters.
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New font family collaboration between Vulf Records and OH no Type Co.: Vulf Sans, complete with super-cool introductory video.
(Via OH no Type Co on Twitter)
Noted by Damian Cugley . -
Noted by Damian Cugley .
Untitled Sans is a plain, neogrotesk sans validated by the ideas of Jasper Morrison and Naoto Fukasawa’s Super Normal project.
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Noted by Damian Cugley .
ISO, a monospace sanserif font inspired by the engraving on old Nikon and Leica camera dials.
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Noted by Damian Cugley .
Superfamily of fonts with lots of widths and lots of weights.
