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The Zed typeface superfamily (Peter Biľak et al.) is a variable font with four axes (width, weight, slant, and roundedness). Just van Rossum came up with an elegant interactive visualization of the mind-boggling design space.
Bricolage Grotesque is a free and open source variable font by Mathieu Triay with (it says here) French attitude and British mannerisms. It’s great for headlines and display text. And it has a fabulous brochure website.
MF Normavaganza Extra started life as a detour in a Type and Media final project and has emerged as its own very extra slab-serif font. Would be useful in very dramatic headlines and strange textured backgrounds. Available as a work in progress from Future Fonts.
(Via MF Normavaganza Extra by M59 - Future Fonts)
Noted by Damian Cugley .A new arrival at Future Fonts: Synch, an exhuberently psychedelic typeface called Sync by James Plattner
Superscript is an energetic, compressed, high-contrast script type family designed by Neil Summerour for Positype.
(Via https://www.instagram.com/p/CzZEExIxJCp/)
Noted by Damian Cugley .AG57 is a digitization of H. Bertholds’s 1898 typeface Akzidenz-Grotesk made freely available as a cultural artefact. More in the linked article (in German, which alas! I cannot read).
(Via Ich-AG, typografisch – H. Bertholds 'Akzidenz-Grotesk' für Ihren Computer - SBB aktuell via @espiekermann on Twitter)
Noted by Damian Cugley .MD Polychrome is a retro-futuristic type family inspired by the 1960s typefaces inspired by Magnetic Ink Character Recognition (MICR) symbols.
(Via @mass_driver_tm on Twitter)
Noted by Damian Cugley .Design information about Epicene Display and Epicene Text, Baroque typeface families by Kris Sowersby—including notes on camp and supposedly masculine versus feminine typeface design
Given the brief of an alien alphabet for use in a children’s hospital, British type designer Jeremy Tankard put the work in to make something splendid replete with a fictional history and two styles (corporate Sans and informal Hand).