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MF Normavaganza Extra started life as a detour in a Type and Media final project and has emerged as its own very extra slab-serif font. Would be useful in very dramatic headlines and strange textured backgrounds. Available as a work in progress from Future Fonts.
(Via MF Normavaganza Extra by M59 - Future Fonts)
Noted by Damian Cugley . -
Noted by Damian Cugley .
A new arrival at Future Fonts: Synch, an exhuberently psychedelic typeface called Sync by James Plattner
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Superscript is an energetic, compressed, high-contrast script type family designed by Neil Summerour for Positype.
(Via https://www.instagram.com/p/CzZEExIxJCp/)
Noted by Damian Cugley . -
AG57 is a digitization of H. Bertholds’s 1898 typeface Akzidenz-Grotesk made freely available as a cultural artefact. More in the linked article (in German, which alas! I cannot read).
(Via Ich-AG, typografisch – H. Bertholds 'Akzidenz-Grotesk' für Ihren Computer - SBB aktuell via @espiekermann on Twitter)
Noted by Damian Cugley . -
MD Polychrome is a retro-futuristic type family inspired by the 1960s typefaces inspired by Magnetic Ink Character Recognition (MICR) symbols.
(Via @mass_driver_tm on Twitter)
Noted by Damian Cugley . -
Noted by Damian Cugley .
Design information about Epicene Display and Epicene Text, Baroque typeface families by Kris Sowersby—including notes on camp and supposedly masculine versus feminine typeface design
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Noted by Damian Cugley .
Given the brief of an alien alphabet for use in a children’s hospital, British type designer Jeremy Tankard put the work in to make something splendid replete with a fictional history and two styles (corporate Sans and informal Hand).
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Noted by Damian Cugley .
James Edmondson introduces his new typeface family Degular, his attempt to create a boring vanilla sanserif. WIth lovely music from Vulfpeck.
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James Edmondson’s exuberant typeface Ohno Blazeface reviewed by Mark Simonson
(Via Typographica on Twitter)
Noted by Damian Cugley .
