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Noted by Damian Cugley .
Design information about Epicene Display and Epicene Text, Baroque typeface families by Kris Sowersby—including notes on camp and supposedly masculine versus feminine typeface design
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Noted by Damian Cugley .
Given the brief of an alien alphabet for use in a children’s hospital, British type designer Jeremy Tankard put the work in to make something splendid replete with a fictional history and two styles (corporate Sans and informal Hand).
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Noted by Damian Cugley .
James Edmondson introduces his new typeface family Degular, his attempt to create a boring vanilla sanserif. WIth lovely music from Vulfpeck.
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James Edmondson’s exuberant typeface Ohno Blazeface reviewed by Mark Simonson
(Via Typographica on Twitter)
Noted by Damian Cugley . -
Noted by Damian Cugley .
Discórdia is a serif face with a bold that is slightly reverse stress and an italic that has no stress, all of which combine quite harmoniously despite their contrasts. The bold italic is a surprise outlier, with a kind of inside-out stress.
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Noted by Damian Cugley .
December 2017’s issue of the Font of the Month club is a stylish uncial-inspired typeface called Klooster.
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Noted by Damian Cugley .
Elfreth is a “casual blackletter” that makes me wish I were art designing for a metal band so I could use it for all their posters.
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New font family collaboration between Vulf Records and OH no Type Co.: Vulf Sans, complete with super-cool introductory video.
(Via OH no Type Co on Twitter)
Noted by Damian Cugley . -
Noted by Damian Cugley .
Untitled Sans is a plain, neogrotesk sans validated by the ideas of Jasper Morrison and Naoto Fukasawa’s Super Normal project.
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Noted by Damian Cugley .
ISO, a monospace sanserif font inspired by the engraving on old Nikon and Leica camera dials.
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Noted by Damian Cugley .
Superfamily of fonts with lots of widths and lots of weights.
